What do you think the idea behind Carrie Mae Weems Kitchen Table Series says about African American life?
What do you think the idea behind Carrie Mae Weems Kitchen Table Series says about African American life?
“I think [the series is] important in relationship to Black experience, but it’s not about race,” Weems told W magazine in 2016. “I think that most work that’s made by Black artists is considered to be about Blackness. Unlike work that’s made by white artists, which is assumed to be universal at its core.”
What camera did Carrie Mae Weems use for the Kitchen Table Series?
Polaroid camera
Weems was a photographer with darkroom experience, and she also used the twenty-by-twenty- four-inch Polaroid camera. It was on the strength of her photographic images that Weems’ career gained its initial traction.
How many pictures are in the Kitchen Table Series?
20
Carrie Mae Weems’s Kitchen Table Series established her as one of the leading artists of her generation. The series, consisting of 20 carefully staged photographs depicting Weems herself sitting at a kitchen table under a lamp, remains one of the key pieces of late 20th- and early 21st-century art.
What does Carrie Mae Weems do in the series From Here I Saw What Happened and I Cried?
With From Here I Saw What Happened and I Cried, Carrie Mae Weems reveals how photography has played a key role throughout history in shaping and supporting racism, stereotyping, and social injustice.
Why is Carrie Mae Weems work important?
Carrie Mae Weems, (born April 20, 1953, Portland, Oregon, U.S.), American artist and photographer known for creating installations that combine photography, audio, and text to examine many facets of contemporary American life.
What was one specific intention of Carrie Mae Weems a Negroid type?
Weems’s text, which is etched on glass, creates distance from the original photographs while calling out their racist intent. For these works, Weems used daguerreotypes of enslaved people in Columbia, South Carolina, taken in 1850 by Joseph T. Zealy….A Negroid Type.
| Date | 1995-96 |
|---|---|
| Print medium | Photo-Chromogenic |
Why does Carrie Mae Weems think men?
Why does Carrie Mae Weems think men and women worldwide will empathize with The Kitchen Table series and a story anchored around a black woman? Men and women worldwide can see themselves in it and relate to relationship problems. What issue does Chris Jordan address in the series Midway: Message from the Gyre? music.
How is gender explored in Carrie Mae Weems Kitchen Table Series?
The photographs feature a succession of staged scenes that explore female identity, experiences, and relationships in the context of a traditionally female domain. Employing visual performance, image making, and a compelling narrative text, the powerful series provides a lens through which to view a woman’s life.
Which artwork did Carrie Mae Weems make?
Weems remains active in the art world with her recent photographic project such as Louisiana Project (2003), Roaming (2006), Museums (2006), Constructing History (2008), African Jewels (2009), Mandingo (2010), Slow Fade to Black (2010), Equivalents (2012), Blue Notes (2014-2015) and the expanded bodies of works …
Where did Carrie Mae Weems work?
Weems also taught photography at several colleges, including Syracuse University in New York, where she began a three-year residency in 2020. With Deb Willis, Dawoud Bey, and Lonnie Graham, she founded Social Studies 101 (2002), an artist collective.
What influenced Carrie Mae Weems?
Weems was influenced by the work of earlier African American photographers who documented the Black experience, notably Roy DeCarava. She began to refer to herself as the “image maker.” Weems’s early images explored personal and familial themes and often were accompanied by text and audio recordings.
How did Carrie Mae Weems rewrite the rules of image making?
Weems reproduced the images, staining them blood-red and encircling the subjects so that they appear to be held captive by the lens. Providing a context for understanding the historical use of those photographs and then subverting it, she restores tenderness and humanity to the subjects.